University de Concepcion, Concepcion, Chileġ992 Gallery Paule Anglim, San Francisco, CAĢ018 “The New Domestics: Finding Beauty in the Mundane”, Monterey Museum of Art, Monterey, CAĢ018 “WAY BAY”, Berkeley Art Museum & Pacific Film Archive, Berkeley, CAĢ015 “Retrospective”, Gallery Paule Anglim, San Francisco, CA “Hush, Hush,” Townsend Center for the Humanities, University of California, Berkeley, CAĢ005 San Jose State University, San Jose, CAĢ004 Gallery Paule Anglim, San Francisco, CAĢ002 Michael Kohn Gallery, Los Angeles, CAĢ001 Gallery Paule Anglim, San Francisco, CAġ999 Adaline Kent Award exhibition at San Francisco Art Institute, San Francisco, CAġ998 Gallery Paule Anglim, San Francisco, CAġ995 Gallery Paule Anglim, San Francisco, CAġ995 Fine Arts Gallery, University of Chiang-Mai, Chiang-Mai, Thailandġ995 Universidad de Concepcion, Concepcion, Chileįlora Lamson Hewlitt Library, Berkeley, CAįine Arts Gallery, University of Chiang-Mai, Chiang–Mai, Thailand Green Chalk Gallery, Monterey, CAĢ012 “Healers of the Yelling Clinic”, Ed Roberts Campus, Berkeley,CAĢ011 “He-Charmers,” Compound Gallery, Oakland, CAĢ010 “Healers from the Yelling Clinic,” Gallery Paule Anglim, San Francisco, CAĢ008 Gallery Paule Anglim, San Francisco, CAĢ007 “Golgi’s Door,” National Academy of Sciences, Washington, DC Sherwood, through her paintings, forces you to reconsider the ideal standard of beauty.ġ979 M.F.A, San Francisco Art Institute, San Francisco, Californiaġ975 B.A, University of California, DavisĢ018 “Ever After”, Walter Maciel Gallery, Los Angeles, CAĢ014 “Ever After”, Gallery Paule Anglim, San Francisco, CA Recognizable paintings are changed to reflect modern, diverse women shown with walking canes, amputated limbs, and Sherwood’s own brain scans.
Katherine Sherwood's paintings focus on the combination of historically significant works and her experience with disability.
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